Posts tagged ‘1993: experimental jet-set trash and no star’

March 13, 2013

1993: Experimental Jet-Set, Trash and No Star @ the New Museum

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The New Museum is currently showing a collection of works produced in New York City during the year of 1993. For those who do not remember (or eventually did not quite live through) the early 90’s, those were messy times surrounded by a very strange sentiment of war being over and then not quite; of rethinking the concepts of identity and otherness through the lenses of those who braved a new world that became completely western — or not; that unwelcomed entirely any form of dictatorship — with a few exceptions; marked by the massive integration of the European continent and the silently (maybe not that much) unwelcome dependency the American Way of Life developed towards its Latin-American immigrants. It was the times when some of the most beloved idols revealed themselves as homosexuals and died of AIDS (and I honestly admit I think only of Freddie Mercury here, but that man’s voice and presence was worth about 20 of the other icons around by then and represented oh, so many people’s pain at that time); times when being a woman started to mean something different at the office and at home, but not entirely.

This exhibition takes us back to a time when wearing black from head to toe actually made a lot of sense. Many were in grief for loved ones that in their death bed, suffered from some bizarre moral stalking that welcomed disease and death as a fit punishment for defying whatever authoritarianism they called virtue. Many could not be cheerful thanks to the end of the nuclear threat when the sort of immaterial Star Wars that marked the Reagan government in the 1980s was replaced with a very real Desert Storm in the early 1990s by his successor, Mr. Bush, the father (as now he’s come to be referenced). All this pain and questioning is there, clearly exposed in the many floors of the beautiful New Museum, in a very crude and honest way to try to make sense of that strange new world.

Femininity and homosexuality intertwine in a discussion about who has the right to define and possess gender, showing itself in a variety of works that expose the many forms sexuality can take in a challenging, almost aggressive form, as if daring the viewers to look away, testing their ability to defy convention and regard difference as the most normal part of life in society. The early 1990s were more than 20 years ago, friends, and those were vastly more flourishing times for radicals and moralists, people who would throw AIDS in the face of homosexuals and discriminate immigrants as the source of disorder and economic crisis. By then, the faintest hypocrisy was still not needed and such positions could be voiced far, far more openly then it is possible today. The strength of the reply as voiced in the works selected for this exhibition reflects the vicious forms of hate directed to whoever was elected as the other, the minority.

I strongly recommend this exhibition should you be around NYC until the 23 of May. It´s not like Bowery isn’t a nice place to be, anyways, and the New Museum is absolutely gorgeous and has a wonderful terrace with a great view that should not be missed. Be prepared for bad taste — it’s the early 1990’s after all — and matters you will feel are dated, or treated in a somewhat radical way. When you realize you are entertaining that sentiment, remember why you do it — because they did it that way back then so that you wouldn’t have to a few decades later.

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